Well. Tanya, our heroine, is a bit unusual in that really, no one likes her. Her "episodes" (not so nice encounters with the fairies that leave everyone thinking she's a potentially psychotic, attention-seeking brat) finally wear out her mother's nerves, she she is shipped off to her grandmother in the countryside. Except her grandmother doesn't like her, to put it simply. The groundskeeper doesn't trust her, and his son is fairly weird himself.
Considering how well-trodden this plot line is, I was glad to read Michelle Harrison's rendition. Plenty of twists, some information I hadn't seen. Enough to make it worthy of it's title and my subsequent shelf lifting.
Blue
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